Tuesday, January 28, 2020

Categories of drivers Essay Example for Free

Categories of drivers Essay Since the start of road transportation, there have been drivers of the varied kind. The modes of transportation changed from horses or horse driven carts to cars but these set of drivers have always remained since then. Drivers of automobiles can be categorized into three categories teenage drivers, old drivers which mainly comprises of senior citizens and drunk or substance abusive drivers. The safety on the road of a person is basically depended on the kind of driving one does. A person’s skill to drive depends upon a certain set of factors due which he gets categorized. Teenage drivers who use automobiles are mostly adrenalin driven and have a habit of being impatient on roads. Teenagers with attitude problems can indulge in major road mishaps and can cause severe damage to themselves along with the innocent car drivers on the road. A teenager cultivates his driving skills by looking at his parents or guardians and later on the pressure of his per group plays a massive factor in driving. It has been estimated about sixty five percent of passengers have had fatal injuries due to the reckless driving of an immature teenager. The habit of risk taking or trying to create impressions on their peer groups more often than not result in deadly crashes. If apart from impulsive behavior, a teenager also does any kind of alcoholic or drug abuse, then the combination of impulsive behavior with substance abuse not only makes them dangerous on the road, but also they risk of having the worst kind of crashes possible on road. As we age our reflexes and our ability to make life saving maneuvers also go down. This is a problem with all the old aged drivers in the world. These old drivers in their experience have a perfect mentality to drive safe, but because of ageing lots of occurrences physically take place like loss of good vision, or their loss of their ability for quick response time. These drivers won’t commit mistakes on purpose and would have a thinking of driving at lower speeds with an intention of attaining maximum safety. How much ever these drivers have good intentions, any physical bustle can cause them to crash anytime which sometimes makes a risky commodity on the road. The worst kind of a driver however is a driver who abuses alcohol or any substance and then drives a set of wheels. These are the kind of drivers who irrespective of their age which can comprise from being a teenager to being a senior citizen have the ability to kill and get killed depending on the amount of alcohol or drug they have consumed. These drivers knowing that they are not in right condition risk everyone’s life around and are equivalent of a deadly weapon on the road, as it become highly unpredictable about when they would crash and cost someone their lives. The following evidence will show the risk taken by these drivers and the amount of crashes that can take place because of their carelessness: ‘Nearly half a million people are injured in alcohol-related crashes each year. More than 15,786 of them die. Thats one death every 33 minutes. In 2000 in Kansas, 2,469 people were injured in alcohol-related crashes. Thats more than six persons injured each day’ (Courtesy: Kansas Department of Transportation, â€Å"Types of drivers†. Retrieved on November 24, 2008 from http://www. ksdot. org/burTrafficSaf/sns/Presentation/types. asp) It can only be understood that a safe and a good driver should always maintain patience while driving, as a small move from any of the three categories discussed above can cause them their lives for no fault of their own. Reference: 1) Kansas Department of Transportation, â€Å"Types of drivers†. http://www. ksdot. org/burTrafficSaf/sns/Presentation/types. asp

Monday, January 20, 2020

Business Plan - Nursery ::

I have selected a nursery because there is high demand in the UK as well that there is a reasonable amount of profit SUMMARY PEOPLE I intend to employ on 3 to 4 employees along with my self and cater for approximately 12-20 kids once the business has established itself then I may decide to expand and cater for more children. THE PRODUCT I have selected a nursery because there is high demand in the UK as well that there is a reasonable amount of profit, which can be made if the business is planned out correctly. One of the main reasons why demand is so high is that more women then ever before are going to work, and therefore day nurseries provide a suitable environment for their children to be looked after in. THE MARKET ---------- One of the main reasons why demand is so high is that more women then ever before are going to work, and therefore day nurseries provide a suitable environment for their children to be looked after in. PRODUCTION Since my business is basically a service that is a day nursery hence there is no production involved it is the services, which I provide to my customers. I offer milk to the kids, if any of the kid needs milk I will be offering them, then there will be a rest room in which those kids who are tired can sleep in that room, the third service which I offer is playing, I will be having a room in which all the toys will be there all the kids can play there, my childminders will play with them, and the fourth service is giving the kids basic education. EXPECTED PROFIT For my business to be successful it is very important that it should make profit , so at the end of one year I will be making a profit of  £2454 which shows that my business is going to do well, its just the starting as and when my nursery becomes popular among the people I thing it will be doing well and making more profit. FINANCE NEEDED As mentioned in financial and production plan I will be looking to obtain a loan of  £5000 from the bank. If the bank rejects my application, then I will consider getting a sleeping partner so that I can apply again for lower amount. I could also find a partner and then half the investment. This is because currently I have personal savings of  £3500 and could use  £2500 of this to open my business with my partner. When discussing the plan with my father, he agreed to help

Sunday, January 12, 2020

Nat King Cole

David Chen MUEL 2752 Dr. Daniel Jones Pre-Rock Era Project: Nat King Cole There is no questioning Nat King Cole’s place as one of the most influential and important American popular musicians in history. Although he was initially known as an innovative and skilled jazz pianist, his singing allowed him to become highly successful in the realm of popular music, more specifically in the big band and jazz genres. Nathaniel Adams Coles was born in Montgomery, Alabama on March 17, 1919 (Ruhlmann par. 3). His family moved to Chicago in 1921, where he began to play the piano at age four and took classical lessons at age 12 (Ruhlmann par. ). When he was 15, Cole dropped out of high school in order to pursue a career as a jazz pianist (Ruhlmann par. 4). In 1937, Cole formed the King Cole Trio and began doing live performances and occasional recordings for small labels as well as some radio work. After releasing successful singles such as â€Å"That Ain’t Right† and â€Å" All for You,† the King Cole Trio was signed by Capitol Records in 1942 (Teachout par. 15). Cole began to utilize his voice increasingly, and critics began to notice the King Cole Trio’s increasing tendency to emphasize popular music as early as 1945 (Teachout par. 0). In 1951, Cole officially disbanded the King Cole Trio and continued his successful career as more of a standup singer than as a pianist (Teachout par. 25). Cole continues to sell great quantities of music today. However, despite his popularity, Cole has often been the subject of criticism. Many criticize Nat King Cole for compromising his artistic integrity as a jazz musician in order to achieve commercial success. Some even consider his increasing popularity and shifting musical style to be â€Å"betrayal† (Ruhlmann par. 1). One article from NPR music argues that Cole’s â€Å"singing clearly betrayed his jazz sensibilities,† while another even goes as far as to call Cole a â€Å"failed jazzman† (NPR par. 5, Teachout par. 5). Contrary to these critics, Nat King Cole’s transition from pure jazz into popular music only added to his greatness as a musician and as a prominent public figure. Cole still must be considered one of the most important and influential jazz musicians in American music history, and his conversion from pure jazz to the commercial realm of music in fact allowed him to break important racial oundaries in the world of popular culture. Despite accusations that his transition into popular music weakened his integrity as a musician and an artist, Nat King Cole left an indelible mark upon both jazz and popular music during his lifetime. Gunther Schuller, author of The Swing Era, remarks that Cole was â€Å"not only one of the most outstanding jazz pianists of his day but stylistically one of the most advanced† (Teachout par. 4). Many important jazz pianists were influenced by the piano playing of Cole, including Bill Evans, Oscar Peterson, and Hank Jones (Teachout par. 4). It is clear that while Cole is often known only as a popular singer, jazz musicians appreciate his tremendous skill and artistry as a jazz pianist. Nat King Cole’s influence upon jazz did not stop at his playing and improvisational skills. When invited to play at a Hollywood nightclub called the Swannee Inn, Cole decided not to use a drummer (Teachout par. 14). Inadvertently, Cole had utilized the â€Å"jazz trio†, a lineup that consisted only of a piano, guitar and bass. While Cole was not the first to use this setup, jazz experts often argue that he was the first to fully grasp the musical possibilities of this unique instrumentation. According to Terry Teachout of American Scholar, most pianists in groups without drummers tended to overplay in order to fill the musical space and provide additional rhythm; Cole, however, simplified his playing and created a new type of jazz sound (Teachout par. 15, HOWZE par. 6). The King Cole Trio’s lineup was emulated by numerous musicians, including Art Tatum, Oscar Peterson, Ahmad Jamal, Charles Brown, and Ray Charles, and, some assert, helped lead the way in small band jazz (Ruhlmann par. ). Cole explored entirely new territory in jazz, surpassing the influence of other popular musicians of his time. Rather than staying within the confines of jazz as the world knew it, Cole actually created new styles and novel ways of using old instruments, thus furthering the development of jazz as an art form. Nat King Cole’s conversion from pure jazz into popular music, while despised by some, actually increased his significance in popular culture and music. Cole’s status as a popular singer in fact allowed him to reach audiences and to break boundaries he could never have broken as a pure jazz musician. Starting in the 1930s, Cole’s piano style and jazz instrumentation defined the jazz-piano trio; however, it was not until he began to sing that he became a â€Å"consummate and world-famous entertainer† (HOWZE par. 1). Connaitre Miller, a fine arts professor at Howard University, notes that Cole was the first jazz singer promoted on television (Foster par. 6). It was mainly Cole’s popularity as a singer, and not as a jazz musician, that allowed him to be featured on television. If Cole had remained within the confines of instrumental jazz, he may have silenced jazz critics who accuse him of betraying jazz, but he also would not have been able to spread his jazz-influenced singing to such a wide audience as the one afforded him by his television appearances. Nat King Cole’s popularity as a jazz singer even allowed him to challenge racial boundaries of his time. The King Cole Trio was, according to Terry Teachout, about as popular as a black unit could be within the confines of jazz and show business, and â€Å"[broke] through the concrete ceiling that kept most black musical acts from reaching the highest peaks of celebrity† (Teachout par. 14). On November 5, 1956, The Nat King Cole Show debuted on NBC and became the first of its kind hosted by an African-American (Noble). On one notable occasion, Nat Cole was not allowed to stay at certain hotels or visit certain casinos in Las Vegas. Eventually, Cole sought legal action against those hotels and clubs, using his celebrity status to challenge Las Vegas’s intolerant system (HOWZE par. 6). While Cole’s status as a pure jazz musician may have been jeopardized by his transition into popular music, this very transition allowed him to effectively attack significant racial issues, an undertaking he could not have dreamed of as a jazz musician with a much smaller following. Nat King Cole may be the perfect example of an artist turned popular entertainer. As a jazz musician, Cole was almost unparalleled. Nat King Cole was certainly considered by jazz fans, musicians, and critics to be a leading jazz pianist, and often played in respected jazz venues such as the first Jazz at the Philharmonic concerts (Murph par. 8). Furthermore, Cole all but pioneered the â€Å"jazz trio,† a lineup that was highly emulated and influential in the development of jazz, proving that he was not only a highly skilled and respected jazz musician, but also an innovative and original one. Later, as a popular singer, he gained a tremendous monetary and commercial success as well as a massive audience. Even though he lost the respect of certain jazz purists, he gained much more influence upon pop culture, and using this influence, Cole popularized and cemented jazz’s influence on popular music while even addressing racial boundaries of his time. These accomplishments would have been much more difficult, or even impossible, to achieve if Cole had remained a pure jazz musician. In this sense, studying the career of Nat King Cole may yield important insights pertaining to the boundary between classical and popular music. As a purely classical musician, a musician such as Nat King Cole may be much more respected within followers of that particular musical genre; however, throughout history, musical figures who have crossed the line between classical, artistic music and popular music are much more memorable than those who do not. By entering popular culture, musicians are much more likely to have the ability to affect significant issues of the time. For example, Bono of U2 or Angelina Jolie possess a relatively great sphere of influence when it comes to political causes. If neither were as engrained in popular culture as they are, it would be safe to say that they would not bring as much attention to the issues they care about. By gaining popularity, prominent figures also gain influence within popular culture and maybe even on the course of history. Although sometimes criticized by jazz purists, Nat King Cole’s commercial success in fact allowed him to affect American popular culture in unprecedented ways and secured his status as one of the most important musicians of his time. Works Cited Foster, Shivonne. â€Å"Cole’s Memory, Legacy is Unforgettable. † The Hilltop (2007). March 2010 < http://www. thehilltoponline. com> Howze, Margaret â€Å"Jazz Profiles from NPR: Nat ‘King’ Cole: the Pianist. † NPR 2010. 9 March 2010 http://www. npr. org/programs/jazzprofiles Murph, John. â€Å"Nat King Cole: Getting their Kicks. † Jazz TimesMay 2009. 9 March 2010 http://jazztimes. com Noble, Amy. â€Å"The Story of Nat King Cole. † March 1998. 9 March 2010 http://members. pcug. org. au Ruhlmann, William. â€Å"Nat King Cole. † All Music Guide 9 March 2010 http://www. pandora. com Teachout, Terry. â€Å"Nat King Cole. † American Scholar 61. 3 (1992): 437-443. 6 March 2010 http://web. ebscohost. com/

Saturday, January 4, 2020

Rhetorical Analysis Of Mackleore - 1366 Words

There are many things that are part of our daily lives that we have come to accept as normal, because they have been part of our society for so long that we no longer question their presence. If you look at our society from an outside perspective, you begin to see some things that appear to be very strange had you not grown up with it. Alternative rapper â€Å"Macklemore† often tackles subjects like these to give listeners a look at the world from a different point of view, and start conversations. One of his most heavy-hitting songs, â€Å"Wing$† takes on the complex topic of consumerism through a telling of his life experience with brands and the after-effects of their power. With this Rhetorical Analysis, I hope to address the message of the†¦show more content†¦Then this part of the song finishes by explaining how this all started because of the envy people had for professional players like Michael Jordan through the final verse of his childhood section: â €Å"I wanted to be him, I wanted to be that guy, I wanted to touch the rim, I wanted to be cool, and I wanted to fit in, I wanted what he had, America, It begins.†. After Macklemore finished giving his story about the impact of shoes on his life, he then turns towards the audience, to speak to them about how consumerism has changed us and how it frees us while it simultaneously traps us in its grasp. He explains these feelings in the lines, â€Å"I’m an individual, yeah, but I’m part of a movement. My movement told me be a consumer and I consumed it. They told me to just do it, I listened to what that swoosh said.† He’s frustrated with himself for being part of this toxic movement, but knows it’s too late. He finishes the song with a sober line of defeat: â€Å"†¦This dream that they sold to you, for a hundred dollars and some change, consumption is in the veins, and now I see it’s just another pair of shoes.† While this song does convey a large and important message, what gives it its power is the situation our society is in right now. It is not hard to reflect on Macklemore’s song and realize all of the things he described are still very much in our world even today. People still hold physical possessions at an untouchable esteem, and practically worship brands.